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Florian
Gerbaud
The Pedestals
The impulse that led
to the creation of these drawings derives from the hope of establishing
a clear vision of the world and its existence. But in searching
to define these lines and horizons, one is bound to trip-up on the
limits of perception.
Thus caught between
the urge to define and the inevitability of failure, the object
of these drawings is rather to aim at a point that lies somewhere
in between, where the image invokes what cannot be completely grasped.
Thus each drawing is like a pedestal on which one may precariously
stand in order to grasp at something that lies just beyond oneีs
reach.
Hence, one is confronted
with the paradox of the tangibly unknown. Subject to the immensity
of the world - there is yet a tendency to insist on the possibility
of containing the uncontainable in one image, in one swoop, the
whole solemn and absurd experience of the human mechanism.
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